Owned and directed by Brian Young, Sweatshop is a pre-professional dance studio in Denver, CO aspiring to train versatile young dancers with a strong desire for success. The Sweatshop faculty offers world-class training in all major dance styles including ballet, jazz, lyrical, hip hop, contemporary, modern, and tap. Offering dance classes for ages 5 through continuing professional, there isn’t a more diverse program anywhere in Colorado!
The Vision
Assemble a world-class faculty capable of inspiring and training aspiring professional dancers, design a comprehensive pre-professional dance training program, provide state of the art training facilities, and create a financially accessible, nurturing and supportive atmosphere with which to train and foster well-balanced professional dancers and successful individuals.
It is our mission and responsibility that our students experience a broader understanding of the world of dance, use their dance training to enhance their own lives as well as the lives of others, and further the visibility of dance as an art form in their local and national communities.
It is our mission and responsibility that our students experience a broader understanding of the world of dance, use their dance training to enhance their own lives as well as the lives of others, and further the visibility of dance as an art form in their local and national communities.
HIghlights
- Our training program IS the most comprehensive in Colorado - truly preprofessional level training in nearly ALL genres
- All of Sweatshop's incredible faculty have been, or are, professional dancers
- Bi-seasonal (Fall and Spring) ballet exams, including written evaluations, are offered to all dancers
- For dancers with college aspirations? Absolutely! 92% (and 100% of those whom apply) of our total alumni have been/are attending Top 10 college dance programs, with a large portion of the remaining 8% enjoying early dance careers, or whom have used their dance experience to supplement their applications to Ivy League schools.
- Home to one of the nation's top preprofessional competition companies!
- Sweatshop's preprofessional facility, complete with sprung-floor systems throughout, provides the dancers with both the space and professional environment they need to become brilliant movement artists. Dancers need a nice big space to explore their fullest potential in a safety-conscious way. Not only does our slow and thoughtful training program keep the dancers strong and injury-free, our facility contributes greatly to our lack of injured dancers - even when they are working to and beyond their full physical potential.
- So much more!
MEET THE FACULTY
The Sweatshop team brings with it a wealth of knowledge, experience, and diversity unparalleled anywhere in the region. Hailing from around the globe, the faculty includes dancers, teachers, and choreographers from Las Vegas, Broadway, Los Angeles, professional sports dance teams, as well as professional ballet, modern, and jazz companies, giving students access and insight into virtually every professional dance niche there is! Please view the impressive facutly bios listed below.
Brian Young Owner/Director (Jazz/Lyrical/Tap/Ballet)
A Colorado native, Brian Young began singing and dancing at a very young age and quickly realized that the performing arts would become his life’s work. After graduating High School Brian moved to Las Vegas, NV to attend UNLV as a dance performance major. While in school Brian taught and performed in and around Las Vegas. Some of his performing credits include EFX, starring Tommy Tune, at the MGM Grand Hotel & Casino, The Bob Fosse Review at the Rio Hotel and Casino, numerous conventions and industrials, music videos, and in 1999/2000 was privileged to perform as a back-up vocalist for Barbra Streisand in Timeless: The Millennium Concerts at MGM Grand Garden Arena under the direction of Marvin Hamlish. Brian later moved to Chicago to further train and dance with Gus Giordano Jazz Dance Chicago where he was mentored by “The first woman of jazz dance”, Pattie Obey, and worked extensively with jazz dance greats including Gus Giordano, Frank Hatchett, Sherie Zunker-Dow, Eddie Ocampo, Debbie Tillman, Emily Yewell and many more. Brian moved from Chicago to perform with the LA Jazdanz Company and was later chosen to premier its sister company LA Jazdanz 2 in San Francisco, CA. He later took a position as a dance captain with Royal Caribbean International, and taught jazz on the Manhattan Dance Project tour, a national tour featuring master classes by some of Broadway’s premier dancers, before moving back to Colorado to plant some roots. Brian has taught master classes at over twenty Colorado dance studios, has been a guest Jazz dance teacher and choreographer at Denver School of the Arts for many seasons, and taught advanced levels of Jazz, Lyrical, and Tap classes at Colorado Ballet Academy where he was also the Competition Program Director prior to opening SWEATshop. Locally, Brian has set choreography on both David Taylor Dance Theatre and Colorado Ballet, has choreographed numerous award winning pieces for his students, and has led the studio and it's company to international success. Since the age of 7 Brian always dreamed of the day he'd open his own studio; SWEATshop is the culmination of a lifetime of passion, dedication, and hard work and is the realization of that dream.
Tami Bing (Lyrical/HipHop)
Tami Bing is a graduate of Colorado State University receiving a degree in Dance and Psychology. During this time, Tami's Choreography was selected to perform in the American College Dance Festival in Wichita, Kansas in 2000. Right out of college, Tami traveled to Boise Idaho to teach at a 3 week Summer Dance Festival at Boise State University. She has been dancing for over 25 years. Dance training includes Jazz, Hip-hop, tap, ballet, lyrical, poms, character, musical theatre, clogging, break dancing, contemporary and modern. Tami danced as a Denver Nuggets Dancer from 1996-2000 and was captain of the team for 3 years. During this time she was selected to travel to Las Vegas to dance at a trade show for Everlast. Tami was a member of the Damsels Dance Company from 2000-2003. She has been teaching dance for 17 years at local studios in the Denver metro area including The Academy of Colorado Ballet, serving as the company director and co-founder of their competitive company, Aspirations from 2006-2009. Amongst these years she has received numerous high score awards as well as Choreography and Icon awards. Tami has worked with many local and nation wide high school pom and cheerleading squads. She has also had the opportunity to choreograph with the Denver School of the Arts for their spring and fall concerts. Outside of teaching locally, she enjoys traveling to teach with Elevation Dance Convention. Tami is honored to be a founding member of SWEATshop. In her spare time, she enjoys spending time at home with her Husband, her two children, and her dog Myla.
Jacob James Mora (Modern Fusion/Contemporary)
Born and raised in the Mile High City of Denver CO, Jacob is the artistic Director of Moraporvida Contemporary Dance, a company based on urban experiences and human emotions., Quickly becoming a sought after choreographer for his unique and powerful repertory Jacob works as an international performer teacher and artist. Jacob received a Bachlor of Arts from the University of Northern Colorado in Dance & Theatre, with emphasis in Choreography, Acting, and Performance. Jacob has been a member of the Cleo Parker Robinson Dance Ensemble, Hannah Kahn Dance, Santee Smith Group, Kaleidoscope Dance Theatre, and Alaska Dance Theatre. He has had the pleasure of working with and dancing the works of Choreographers such as Donald Mckayle, Betty Jones, Ron Brown, Milton Meyers, David Rousseve, Eleo Pomare, David Dorfman and Lisa Race among many. Jacob Choreographs and teaches around the country using a unique blend of Contemporary and traditional techniques, fusing Modern, Jazz, Hip Hop, Poetry and ethnic and urban culture. He has been on faculty with the University of Wyoming and the New York Institute of Dance, as well as guest artist and teacher for may other schools, festivals and institutions.
Lizanne McAdams-Graham (Ballet)
Lizanne McAdams-Graham, has over 40 years experience as a professional dancer and dance educator and has devoted her entire life to the arts. She began training at the age of 3 under the direction of her late mother, Lorraine McAdams, legendary Director and Founder of the National Ballet of New Jersey and her father, a professional musician raising five children on a 12 acre dance complex. In her youth she was a full year scholarship student to Joffrey Ballet NYC, Harkness House for Ballet Arts NYC, Pennsylvania Ballet, and Choreography NARB workshops. She joined the Croation National Ballet and Opera Theatre in Zagreb, in the former Yugoslavia at the age of 17 dancing principal and leading roles in Nutcracker, Coppelia, Giselle, Swan Lake, Serenade, Romeo & Juliet, Sleeping Beauty and Firebird, Graduation Ball, Carmina Burana, Bolero and Cinderella. She has studied with Finus Yhung, David Howard, John Prince, Maria Vegh, Basil Thompson, Michael Smuin, Alonzo King, Maggie Black and Robert Blankshine, Kristina Elliot,Yehuda Maor, Loyce Holton, and Pavel Rotaru. Mid-career Ms. McAdams-Graham joined the renowned ODC/Dance, exploring contemporary dance, completing world tours in Russia, Southeast Asia, Hawaii, and Australia, along with residency at Jacobs Pillow, Joyce Theater, City Center, Lincoln Center in NYC, and Kennedy Center in D.C. She has guest appeared for Los Angeles, Santa Fe, Pittsburgh, and San Francisco Opera Ballet Companies in “Faust”, “Die Fledermaus”, “La Traviata” “Orfeo Ed Euridice” and “Aida” and appeared on the PBS televised production of "Dance in America". Ms. McAdams served on the dance faculty for Dance Alloy at Carnegie-Mellon University, Point Park University, Pittsburgh Youth Ballet, Alonzo King LINES Dance Center and Drexel University . She has set major ballets on Charleston Ballet, Ithaca Ballet and Walnut Hill School for the Arts. She retired from performing in 1997 and conducted company class for Boulder Ballet, Cleo Parker Robinson, David Taylor Dance Theatre, Zikir Dance Ensemble and Wonderbound in Colorado. She conducted thriving professional classes at Colorado Ballet and Denver Dance Center for 22 years. She was Ballet Mistress for David Taylor Dance Theatre and Dawson/Wallace Dance Project.
Danielle Sunseri (Ballet)
Danielle Sunseri, an Ohio native, trained as a competitive swimmer and gymnast before studying classical dance. She began at age 14 with German Zamuel and Valentina Moukhanova at Pittsburgh Ballet Theatre School, studied on scholarship with PBTS Schenley Program and Graduate Program under David Holladay and Patricia Wilde, and trained at North Carolina School for the Arts and Mercyhurst College in Performance and Pedagogy. After studies in NYC, at Ballet Arizona and the Colorado Ballet Apprentice Program, she joined Colorado Ballet in 1995 under the direction of Martin Fredmann. She enjoyed various roles in Swan Lake and The Nutcracker, Balanchine’s Serenade and Stars & Stripes, and the principle role of Pioneer Woman in the 1998 historic staging of Martha Graham’s Appalachian Spring. She performed extensively with Kim Robards Dance, as a guest artist with Russian Ballet, Kanopy Dance Company and International Youth Ballet, and worked with noted repetiteurs Patricia Neary, Bart Cook, Janet Eilber, Janek Schergen, James Canfield, Gregory Dawson and others. She is a contemporary soloist in her sixth season with David Taylor Dance Theatre and a soloist and rehearsal assistant for Zikr Dance Ensemble. Ms. Sunseri has over 20 years experience instructing young students in foundational levels of classical ballet, stretch, conditioning, character, and choreography. She has instructed students of all levels on several faculties including the Colorado Ballet Academy, School of Ballet Arizona, Pittsburgh Youth Ballet, Rocky Mountain School of Dance, Belliston Academy of Ballet, Youth Ballet Colorado, and International Ballet School, and was rehearsal assistant and contributing choreographer for International Youth Ballet productions for two seasons. She directed the youth program for David Taylor Dance Theatre (Ascot) Academy of Ballet and choreographed and staged the children’s Mother Ginger divertissement for David Taylor Dance Theatre’s Nutcracker for three years while conducting numerous literacy-based dance residencies in the Englewood Public Elementary Schools. Ms. Sunseri also teaches beginning ballroom and enjoys directing her own ballet program for figure skaters and gymnasts.
Slava Mesropov (Ballet)
Slava Mesropov is from Baku, Azerbaijan and graduated from the Baku Academy of Ballet. He was a soloist with the Azerbaijan Academic Theater of Opera and Ballet, Moscow Festival Ballet, Ballet South and Colorado Ballet. Mr. Mesropov is trained in the Vaganova method of ballet and character dance. Before joining IBS full time in 2009, Mr. Mesropov served on faculty at Canada’s Royal Winnipeg Ballet School and was the Artistic Director of Ballet Royal Institute of Maryland where he choreographed and staged many productions including The Sleeping Beauty, The Nutcracker, La Bayadere, Giselle and annual gala concerts featuring principals from American Ballet Theatre. Mr. Mesropov has also taught for Ballet Theater of Maryland, the Academy of Colorado Ballet and the Baltimore School for the Arts. He regularly teaches master classes and summer intensive programs throughout the United States including at Peabody Institute in Baltimore, Maryland, Southland Ballet Academy in Orange County, California, Michigan Ballet Academy in Grand Rapids and The Washington School of Ballet in Washington D.C. During his teaching career, Mr. Mesropov has prepared several participants for international competitions. He was named Outstanding Teacher at the 2003 Youth America Grand Prix (YAGP) international competition finals in New York.
Radoslaw Kokoska (Ballet)
Radoslaw J Kokoszka, born in Wodzislaw Sl., Poland begun his ballet training at age 11 in Bytom, Poland. At age 13, he moved to United States with his family, settling in Hamtramck, MI. Kokoszka received numerous talent scholarships and trained at a number of prestigious professional ballet schools including: the Harid Conservatory (FLA), Boston Ballet (MA), Kirov Academy (Washington, DC) and completing his ballet training at the renowned School of American Ballet (New York City). Dancing professionally with Carolina Ballet (Raleigh, NC) Cedar Lake Dance Company (NYC) and Suzanne Farrell Ballet (Washington D.C.). Kokoszka had the privilege to dance alongside worlds greatest talent including Mikhail Baryshnikov and has taught for over 15 years ballet to aspiring dancers.
Leanna Earlywine (Tap)
Leanna was born and raised in Northwest Indiana where she studied and excelled in dance, voice and theater, as well as performing as a concert clarinetist in the Chicago area. Throughout high school she was fortunate enough to study with Gus Giordano. Moving to Colorado, she majored in Theater at Denver University where she starred in and choreographed many of the Theater Department's shows as well as co-founding and starring in the internationally recognized DU Show Choir. Leanna joined Picus Dance Academy as a student and teacher while still in college and worked closely with Stan and Heidi Picus. She soon performed with the Picus Dance Company and was also featured at Country Dinner Playhouse as one of Stan Picus' dancers. Leanna has not only choreographed for Picus Dance Academy and Off Broadway Academy of Dance but also for numerous high school musical productions. Leanna has taught Ballet, Tap, Jazz and Musical Theater for 30 years in the Denver Metro area, was director of Picus Dance for 5 years prior to becoming owner and director of Off Broadway Academy of Dance. Her biggest joy besides being a mother and wife is to nurture and watch students grow, not only as dancers, but as overall confident, well-rounded individuals.
Sydney Baker (Tap)
Sydney trained in a multitude of styles, but fell in love with tap dance at an early age while studying with Beverly Pinkerton. Sydney attended many masterclasses with tap dancers Professor Robert Reed and Barbara Duffy growing up. Continuing her tap education, she travels annually to New York City to attend tap festivals such as Tap City, the New York City Tap Festival and The Big Apple Tap Festival. Attending festivals has provided her with opportunities to study with master teachers such as Brenda Bufalino, Katherine Kramer, Ted Louis Levy, Ali Bradley, and Sam Weber, among others. Sydney has been performing with Tap 24.7 for the past 3 years and it has taken to her places such as Arizona, Seattle, and Detroit. She is honored to learn from such tap dance legends, which affords her the opportunity to pass down this rich, American art form in a meaningful and methodical way. She hopes to instill a love of dance in her students, while teaching them the technique and discipline of the art of tap dance.
Bronson Dahmer (Jazz/Hip Hop)
Bronson began dancing recreationally at the age of 8, and after discovering a passion for dance he began training at Sweatshop at the age of 11. Bronson has been apart of the Sweatshop family for 8 seasons and is committed to continuing the Sweatshop legacy. He has trained extensively in Ballet, Jazz, Lyrical, Modern, Contemporary, Hip Hop, and Tap and is passionate about his diverse training. While at Sweatshop, Bronson has been nationally recognized as one of the most proficient dancers in the country. Bronson began teaching at Sweatshop his junior year of high school, and has choreographed for the Company at Sweatshop Dance. His goal is to inspire the next generation of dancers to find their love for dance, and help them reach the next level in their training.
Sarah Gottesfeld (Lyrical)
Sarah was born in Colorado and started dancing at an early age. Sarah started training in Ballet and tap and immediately fell in love with dance. She trained in ballet in class and privately with Jocelyn and Andrew Thompson. She came to Sweatshop in January 2018 and started to step into a more serious mindset for her dance career. Playing the piano since she was young she has always had an interest in musicality and rhythm. Sarah is a current senior at Denver East High School. She has loved her opportunities to learn from choreographers around the country through summer intensives and competitions. This summer Sarah spent a month training with NYU dance faculty as well as company members of Alvin Ailey. Sarah is interested in not only dancing professionally but choreographing as well, choreographing her solo “Meant to Be”last year for the national competition NYCDA. She is currently applying to colleges with strong dance programs and aims to be a professional dancer in a concert based contemporary company.
A Colorado native, Brian Young began singing and dancing at a very young age and quickly realized that the performing arts would become his life’s work. After graduating High School Brian moved to Las Vegas, NV to attend UNLV as a dance performance major. While in school Brian taught and performed in and around Las Vegas. Some of his performing credits include EFX, starring Tommy Tune, at the MGM Grand Hotel & Casino, The Bob Fosse Review at the Rio Hotel and Casino, numerous conventions and industrials, music videos, and in 1999/2000 was privileged to perform as a back-up vocalist for Barbra Streisand in Timeless: The Millennium Concerts at MGM Grand Garden Arena under the direction of Marvin Hamlish. Brian later moved to Chicago to further train and dance with Gus Giordano Jazz Dance Chicago where he was mentored by “The first woman of jazz dance”, Pattie Obey, and worked extensively with jazz dance greats including Gus Giordano, Frank Hatchett, Sherie Zunker-Dow, Eddie Ocampo, Debbie Tillman, Emily Yewell and many more. Brian moved from Chicago to perform with the LA Jazdanz Company and was later chosen to premier its sister company LA Jazdanz 2 in San Francisco, CA. He later took a position as a dance captain with Royal Caribbean International, and taught jazz on the Manhattan Dance Project tour, a national tour featuring master classes by some of Broadway’s premier dancers, before moving back to Colorado to plant some roots. Brian has taught master classes at over twenty Colorado dance studios, has been a guest Jazz dance teacher and choreographer at Denver School of the Arts for many seasons, and taught advanced levels of Jazz, Lyrical, and Tap classes at Colorado Ballet Academy where he was also the Competition Program Director prior to opening SWEATshop. Locally, Brian has set choreography on both David Taylor Dance Theatre and Colorado Ballet, has choreographed numerous award winning pieces for his students, and has led the studio and it's company to international success. Since the age of 7 Brian always dreamed of the day he'd open his own studio; SWEATshop is the culmination of a lifetime of passion, dedication, and hard work and is the realization of that dream.
Tami Bing (Lyrical/HipHop)
Tami Bing is a graduate of Colorado State University receiving a degree in Dance and Psychology. During this time, Tami's Choreography was selected to perform in the American College Dance Festival in Wichita, Kansas in 2000. Right out of college, Tami traveled to Boise Idaho to teach at a 3 week Summer Dance Festival at Boise State University. She has been dancing for over 25 years. Dance training includes Jazz, Hip-hop, tap, ballet, lyrical, poms, character, musical theatre, clogging, break dancing, contemporary and modern. Tami danced as a Denver Nuggets Dancer from 1996-2000 and was captain of the team for 3 years. During this time she was selected to travel to Las Vegas to dance at a trade show for Everlast. Tami was a member of the Damsels Dance Company from 2000-2003. She has been teaching dance for 17 years at local studios in the Denver metro area including The Academy of Colorado Ballet, serving as the company director and co-founder of their competitive company, Aspirations from 2006-2009. Amongst these years she has received numerous high score awards as well as Choreography and Icon awards. Tami has worked with many local and nation wide high school pom and cheerleading squads. She has also had the opportunity to choreograph with the Denver School of the Arts for their spring and fall concerts. Outside of teaching locally, she enjoys traveling to teach with Elevation Dance Convention. Tami is honored to be a founding member of SWEATshop. In her spare time, she enjoys spending time at home with her Husband, her two children, and her dog Myla.
Jacob James Mora (Modern Fusion/Contemporary)
Born and raised in the Mile High City of Denver CO, Jacob is the artistic Director of Moraporvida Contemporary Dance, a company based on urban experiences and human emotions., Quickly becoming a sought after choreographer for his unique and powerful repertory Jacob works as an international performer teacher and artist. Jacob received a Bachlor of Arts from the University of Northern Colorado in Dance & Theatre, with emphasis in Choreography, Acting, and Performance. Jacob has been a member of the Cleo Parker Robinson Dance Ensemble, Hannah Kahn Dance, Santee Smith Group, Kaleidoscope Dance Theatre, and Alaska Dance Theatre. He has had the pleasure of working with and dancing the works of Choreographers such as Donald Mckayle, Betty Jones, Ron Brown, Milton Meyers, David Rousseve, Eleo Pomare, David Dorfman and Lisa Race among many. Jacob Choreographs and teaches around the country using a unique blend of Contemporary and traditional techniques, fusing Modern, Jazz, Hip Hop, Poetry and ethnic and urban culture. He has been on faculty with the University of Wyoming and the New York Institute of Dance, as well as guest artist and teacher for may other schools, festivals and institutions.
Lizanne McAdams-Graham (Ballet)
Lizanne McAdams-Graham, has over 40 years experience as a professional dancer and dance educator and has devoted her entire life to the arts. She began training at the age of 3 under the direction of her late mother, Lorraine McAdams, legendary Director and Founder of the National Ballet of New Jersey and her father, a professional musician raising five children on a 12 acre dance complex. In her youth she was a full year scholarship student to Joffrey Ballet NYC, Harkness House for Ballet Arts NYC, Pennsylvania Ballet, and Choreography NARB workshops. She joined the Croation National Ballet and Opera Theatre in Zagreb, in the former Yugoslavia at the age of 17 dancing principal and leading roles in Nutcracker, Coppelia, Giselle, Swan Lake, Serenade, Romeo & Juliet, Sleeping Beauty and Firebird, Graduation Ball, Carmina Burana, Bolero and Cinderella. She has studied with Finus Yhung, David Howard, John Prince, Maria Vegh, Basil Thompson, Michael Smuin, Alonzo King, Maggie Black and Robert Blankshine, Kristina Elliot,Yehuda Maor, Loyce Holton, and Pavel Rotaru. Mid-career Ms. McAdams-Graham joined the renowned ODC/Dance, exploring contemporary dance, completing world tours in Russia, Southeast Asia, Hawaii, and Australia, along with residency at Jacobs Pillow, Joyce Theater, City Center, Lincoln Center in NYC, and Kennedy Center in D.C. She has guest appeared for Los Angeles, Santa Fe, Pittsburgh, and San Francisco Opera Ballet Companies in “Faust”, “Die Fledermaus”, “La Traviata” “Orfeo Ed Euridice” and “Aida” and appeared on the PBS televised production of "Dance in America". Ms. McAdams served on the dance faculty for Dance Alloy at Carnegie-Mellon University, Point Park University, Pittsburgh Youth Ballet, Alonzo King LINES Dance Center and Drexel University . She has set major ballets on Charleston Ballet, Ithaca Ballet and Walnut Hill School for the Arts. She retired from performing in 1997 and conducted company class for Boulder Ballet, Cleo Parker Robinson, David Taylor Dance Theatre, Zikir Dance Ensemble and Wonderbound in Colorado. She conducted thriving professional classes at Colorado Ballet and Denver Dance Center for 22 years. She was Ballet Mistress for David Taylor Dance Theatre and Dawson/Wallace Dance Project.
Danielle Sunseri (Ballet)
Danielle Sunseri, an Ohio native, trained as a competitive swimmer and gymnast before studying classical dance. She began at age 14 with German Zamuel and Valentina Moukhanova at Pittsburgh Ballet Theatre School, studied on scholarship with PBTS Schenley Program and Graduate Program under David Holladay and Patricia Wilde, and trained at North Carolina School for the Arts and Mercyhurst College in Performance and Pedagogy. After studies in NYC, at Ballet Arizona and the Colorado Ballet Apprentice Program, she joined Colorado Ballet in 1995 under the direction of Martin Fredmann. She enjoyed various roles in Swan Lake and The Nutcracker, Balanchine’s Serenade and Stars & Stripes, and the principle role of Pioneer Woman in the 1998 historic staging of Martha Graham’s Appalachian Spring. She performed extensively with Kim Robards Dance, as a guest artist with Russian Ballet, Kanopy Dance Company and International Youth Ballet, and worked with noted repetiteurs Patricia Neary, Bart Cook, Janet Eilber, Janek Schergen, James Canfield, Gregory Dawson and others. She is a contemporary soloist in her sixth season with David Taylor Dance Theatre and a soloist and rehearsal assistant for Zikr Dance Ensemble. Ms. Sunseri has over 20 years experience instructing young students in foundational levels of classical ballet, stretch, conditioning, character, and choreography. She has instructed students of all levels on several faculties including the Colorado Ballet Academy, School of Ballet Arizona, Pittsburgh Youth Ballet, Rocky Mountain School of Dance, Belliston Academy of Ballet, Youth Ballet Colorado, and International Ballet School, and was rehearsal assistant and contributing choreographer for International Youth Ballet productions for two seasons. She directed the youth program for David Taylor Dance Theatre (Ascot) Academy of Ballet and choreographed and staged the children’s Mother Ginger divertissement for David Taylor Dance Theatre’s Nutcracker for three years while conducting numerous literacy-based dance residencies in the Englewood Public Elementary Schools. Ms. Sunseri also teaches beginning ballroom and enjoys directing her own ballet program for figure skaters and gymnasts.
Slava Mesropov (Ballet)
Slava Mesropov is from Baku, Azerbaijan and graduated from the Baku Academy of Ballet. He was a soloist with the Azerbaijan Academic Theater of Opera and Ballet, Moscow Festival Ballet, Ballet South and Colorado Ballet. Mr. Mesropov is trained in the Vaganova method of ballet and character dance. Before joining IBS full time in 2009, Mr. Mesropov served on faculty at Canada’s Royal Winnipeg Ballet School and was the Artistic Director of Ballet Royal Institute of Maryland where he choreographed and staged many productions including The Sleeping Beauty, The Nutcracker, La Bayadere, Giselle and annual gala concerts featuring principals from American Ballet Theatre. Mr. Mesropov has also taught for Ballet Theater of Maryland, the Academy of Colorado Ballet and the Baltimore School for the Arts. He regularly teaches master classes and summer intensive programs throughout the United States including at Peabody Institute in Baltimore, Maryland, Southland Ballet Academy in Orange County, California, Michigan Ballet Academy in Grand Rapids and The Washington School of Ballet in Washington D.C. During his teaching career, Mr. Mesropov has prepared several participants for international competitions. He was named Outstanding Teacher at the 2003 Youth America Grand Prix (YAGP) international competition finals in New York.
Radoslaw Kokoska (Ballet)
Radoslaw J Kokoszka, born in Wodzislaw Sl., Poland begun his ballet training at age 11 in Bytom, Poland. At age 13, he moved to United States with his family, settling in Hamtramck, MI. Kokoszka received numerous talent scholarships and trained at a number of prestigious professional ballet schools including: the Harid Conservatory (FLA), Boston Ballet (MA), Kirov Academy (Washington, DC) and completing his ballet training at the renowned School of American Ballet (New York City). Dancing professionally with Carolina Ballet (Raleigh, NC) Cedar Lake Dance Company (NYC) and Suzanne Farrell Ballet (Washington D.C.). Kokoszka had the privilege to dance alongside worlds greatest talent including Mikhail Baryshnikov and has taught for over 15 years ballet to aspiring dancers.
Leanna Earlywine (Tap)
Leanna was born and raised in Northwest Indiana where she studied and excelled in dance, voice and theater, as well as performing as a concert clarinetist in the Chicago area. Throughout high school she was fortunate enough to study with Gus Giordano. Moving to Colorado, she majored in Theater at Denver University where she starred in and choreographed many of the Theater Department's shows as well as co-founding and starring in the internationally recognized DU Show Choir. Leanna joined Picus Dance Academy as a student and teacher while still in college and worked closely with Stan and Heidi Picus. She soon performed with the Picus Dance Company and was also featured at Country Dinner Playhouse as one of Stan Picus' dancers. Leanna has not only choreographed for Picus Dance Academy and Off Broadway Academy of Dance but also for numerous high school musical productions. Leanna has taught Ballet, Tap, Jazz and Musical Theater for 30 years in the Denver Metro area, was director of Picus Dance for 5 years prior to becoming owner and director of Off Broadway Academy of Dance. Her biggest joy besides being a mother and wife is to nurture and watch students grow, not only as dancers, but as overall confident, well-rounded individuals.
Sydney Baker (Tap)
Sydney trained in a multitude of styles, but fell in love with tap dance at an early age while studying with Beverly Pinkerton. Sydney attended many masterclasses with tap dancers Professor Robert Reed and Barbara Duffy growing up. Continuing her tap education, she travels annually to New York City to attend tap festivals such as Tap City, the New York City Tap Festival and The Big Apple Tap Festival. Attending festivals has provided her with opportunities to study with master teachers such as Brenda Bufalino, Katherine Kramer, Ted Louis Levy, Ali Bradley, and Sam Weber, among others. Sydney has been performing with Tap 24.7 for the past 3 years and it has taken to her places such as Arizona, Seattle, and Detroit. She is honored to learn from such tap dance legends, which affords her the opportunity to pass down this rich, American art form in a meaningful and methodical way. She hopes to instill a love of dance in her students, while teaching them the technique and discipline of the art of tap dance.
Bronson Dahmer (Jazz/Hip Hop)
Bronson began dancing recreationally at the age of 8, and after discovering a passion for dance he began training at Sweatshop at the age of 11. Bronson has been apart of the Sweatshop family for 8 seasons and is committed to continuing the Sweatshop legacy. He has trained extensively in Ballet, Jazz, Lyrical, Modern, Contemporary, Hip Hop, and Tap and is passionate about his diverse training. While at Sweatshop, Bronson has been nationally recognized as one of the most proficient dancers in the country. Bronson began teaching at Sweatshop his junior year of high school, and has choreographed for the Company at Sweatshop Dance. His goal is to inspire the next generation of dancers to find their love for dance, and help them reach the next level in their training.
Sarah Gottesfeld (Lyrical)
Sarah was born in Colorado and started dancing at an early age. Sarah started training in Ballet and tap and immediately fell in love with dance. She trained in ballet in class and privately with Jocelyn and Andrew Thompson. She came to Sweatshop in January 2018 and started to step into a more serious mindset for her dance career. Playing the piano since she was young she has always had an interest in musicality and rhythm. Sarah is a current senior at Denver East High School. She has loved her opportunities to learn from choreographers around the country through summer intensives and competitions. This summer Sarah spent a month training with NYU dance faculty as well as company members of Alvin Ailey. Sarah is interested in not only dancing professionally but choreographing as well, choreographing her solo “Meant to Be”last year for the national competition NYCDA. She is currently applying to colleges with strong dance programs and aims to be a professional dancer in a concert based contemporary company.